If you record or mix music, you need to know what signal flow is.
Getting a good grasp on signal flow will save you a ton of time and frustration fixing technical issues.
To help you understand everything you need to know, we’ve put together this guide to signal flow. It’ll cut down on the time you spend finding and fixing problems with your audio when you’re recording and mixing.
- What Is Signal Flow?
- Why Is Understanding Signal Flow Important?
- Signal Flow While Recording
- Signal Flow While Mixing
- Using Signal Flow Creatively
- If You’ve Gone Through the Entire Signal Flow and Can’t Find the Problem…
- Conclusion: Signal Flow
But before we continue…
I’m guessing you’re here because you want to make music that sounds professional in your home studio.
Learning Signal Flow important, but it’s just one piece of the puzzle.
That’s why I created this new free workshop for people who want the entire framework for pro mixes.
Inside, I share the only 7 steps you need to go through if you want your mixes to sound professional.
You will also learn the #1 mistake that musicians make when it comes to recording their own music.
So, if you just want a shortcut to pro-quality mixes, watch this free training now:
But if you just want to learn about Signal Flow specifically, keep reading.
What Is Signal Flow?
Signal flow is the order of operations a sound goes through.
When you record an instrument, the sound goes through different stages before you hear it through the speakers.
Signal flow is the list of steps that sound goes through in order for you to hear it.
It’s kind of like riding a train.
Say you’re trying to get downtown. You get on a train stop near your house and off you go!
But there are a few stops along the way. So before you actually get downtown you have to go to other places first.
Before the sound gets to your ears, it goes through a bunch of different stages.
And understanding that chain of events is crucial to solving any issues you run into along the way.
Why Is Understanding Signal Flow Important?
Understanding signal flow makes it easier to solve problems while recording.
And if there’s one thing we all know about audio, there’s always a problem.
If you don’t really know what’s going on with signal flow, you’re going to waste a ton of time fixing stuff.
And when it comes to mixing, understanding signal flow helps you maintain the highest sound quality possible.
The order your effects are in make a huge difference in your mix. So paying attention to that signal flow will help you make sure your mix sounds great.
So learning about signal flow isn’t just some formality. It’s a critical time saver that’ll help you stay creative and avoid embarrassment!
Signal Flow While Recording
It’s a lot to look at, but basically the signal flow while recording goes like this:
- The instrument or voice you’re recording
- Audio interface
- Back out to the audio interface again
- And finally through your headphones and/or speakers
If something goes wrong while recording, think about where in this chain the problem would be.
Say you’re trying to track vocals, but no sound is actually being recorded.
Think about the signal flow. Something must be wrong in the first few stages.
Maybe you didn’t turn on Phantom Power, so the condenser mic isn’t working. Maybe the input for the channel isn’t set correctly.
One way or another, you know that the problem has to be in one of those first few steps of the signal flow.
On the other hand, what if you can see audio has been recorded to the channel, but you can’t hear it? Something’s probably gone wrong towards the end of the chain.
Signal Flow While Mixing
Once again, it’s a long list. But when you break it down, it’s pretty simple.
- The hard drive your recordings are on
- Any effects you’re using
- Audio interface
- Speakers or headphones
While recording, signal flow is about fixing problems. But signal flow in the mix is more about making sure you have the best audio quality.
It’s kind of like an assembly line in a factory.
In order to make a good car, everything has to be done in a certain order.
Before you install the engine, you have to make the frame.
Ok, I don’t know much about cars. I’m a musician, not a mechanic! But the idea is, the order of your effects changes the quality of your mix.
Imagine you’re mixing a song, and the drums sound super distorted.
Since it’s only the drums, it’s probably an issue with the drum channels themselves.
Maybe you’ve turned the channel faders for the drums up too loud. Or maybe there’s a plugin on your drum submix channel that’s making them distort.
Either way, you can quickly home in on the source of the problem by thinking about where the problem is.
If your entire mix sounds distorted, the issue might be at the end of the signal flow.
Maybe an effect on the master bus is making your song clip. Maybe the volume on the master fader is set too high.
Using Signal Flow Creatively
Understanding signal flow can really supercharge your mixes. By getting creative with the order of operations you can take your mixes to the next level.
For example, you can use sends for reverb or change the order your plugins are in.
Something as small as changing where a compressor is in your plugin chain can make a big difference!
Sends and Busses
Adding sends and busses to your mix changes up your signal flow a little.
When you send a track to another bus, you’re literally copying the signal from that first track and putting it on another one.
So your signal flow ends up looking like this:
So think about how you can use buses to your advantage!
Changing Up Your Plugin Chain
The order of your plugins can make a huge difference in sound quality!
For example, you’ll probably want to EQ before you compress a track. If there’s any extra noise in the low end of a channel, it can make your compressor open up too soon.
So EQing before you compress can help you avoid over or under compressing your instruments.
And the same goes for other effects you’re using! The order you put things in matters.
So think about how your plugins are interacting with one another.
If you’re using saturation, do you want it to go before or after the compression?
If You’ve Gone Through the Entire Signal Flow and Can’t Find the Problem…
Try restarting the entire system.
Restart your computer and interface, then load the project back up.
If you can’t find a logical explanation for why something isn’t working, sometimes it’s just a weird digital error.
Computers are weird!
Sometimes stuff just doesn’t work. If you’ve restarted your computer and you’re still having the same problem, you might have a hardware issue.
But make sure you try everything you can think of before assuming there’s a problem with your computer, audio interface, or any other hardware!
Troubleshooting your software is free. Taking your gear into a shop will probably cost you at least a consultation fee.
Ever been to a concert and heard a loud, piercing whistle coming from the guitarist’s amp?
That’s feedback, and it can really derail tracking and mixing sessions.
Feedback happens when a signal is fed back into itself.
Usually a signal flow looks like this:
But feedback looks like this:
A classic example of feedback happens while recording vocals.
Imagine you’re listening to the song through speakers while recording vocals. This is a bad idea for a couple of reasons, but it still happens.
The sound of your vocals will also go through the speakers, causing a feedback loop.
So save yourself from ear damage by avoiding feedback loops.
Conclusion: Signal Flow
Signal flow isn’t just some technical concept audio engineers rant about to sound smart. It’s a crucial part of figuring out how to solve problems while recording and mixing!
I recommend saving both signal flow diagrams above so you can check them out in any session. If something isn’t working right, think about where in the signal flow your problem might be.
You’ll save a ton of time fixing problems. And that lets you focus on the creative stuff instead of getting bogged down in technical issues.
Eventually it’ll become second nature!
But this is just one small part of the process.
You can do this perfectly and still end up with mixes that sound like bedroom demos if you’re missing a crucial step (it took me 10 years to learn this).
There is SO MUCH that goes into a good mix. It’s actually pretty overwhelming.
Once you’ve learned how to use the software, there’s a lot of other stuff you need to get right if you want your music to sound professional.
But what if I told you that you don’t have to be an expert (with years of experience) to make radio-ready music at home?
That’s the truth.
It’s likely that you’ve already wasted time, money and effort on the wrong things. I know I did. I wasted years focusing on the wrong things.
So, what should you focus on if you want fast results?
Inside this new free training, I share the secret to making radio-ready music at home.
After I stumbled upon this new approach, I knew exactly where to spend my time and energy. I was no longer confused and overwhelmed by the recording and mixing process.
Now it’s your turn.
If you want to learn the *exact* steps that will take your mixes to a professional standard in under a year…
Watch this free workshop now:
It’s only playing for a limited time – we’re always updating the site and this could get removed soon. So go and check it out now.