Every engineer, musician, and songwriter’s goal is to make their songs sound good. Simple as that.
But this can be hard, since there’s no ultimate qualifier for a “good song,” and no “perfect mix” to hold the bar.
Heck, maybe you’re like me, where after listening to Spotify for a period of time you think, “man, half of these mixes aren’t even that great!”
So what is the common thread between all of these commercial songs? How do I get my music to cross-over from sounding amateur to professional?
Today, we’re going to talk about editing – what it is and why it’s the secret sauce to a professional song.
Contents I’m guessing you’re here because you want to make your mixes sound professional. We put together a brief training that covers a totally new approach to music production. Until now, everyone has been teaching production totally backward. Just click below to watch.
Get industry-quality every time (steal this framework)
I’m guessing you’re here because you want to make your mixes sound professional.
We put together a brief training that covers a totally new approach to music production. Until now, everyone has been teaching production totally backward.
Just click below to watch.
But if you just want to learn all about Editing specifically, keep reading.
So What Is Editing?
Editing can be summed up as any changes you make to the audio files after they are recorded. That obviously covers a wide range of audio actions. It generally comes between the recording stage and the mixing stage.
After the audio is captured, there are lots of ways to help “clean” or “tighten” it up.
Some small steps include deleting “blank” space where there are unwanted noises and no one is playing.
Another step is going through and fading any audio clips to avoid those nasty pops and clicks that will distract listeners.
Once your tracks are “cleaned up,” you can move onto different forms of rhythm editing to tighten up the band’s performance.
This involves several techniques to make sure the entire band is playing “in the pocket,” or on the same tempo and rhythm. Making sure that everyone is playing on time and in sync with each other is crucial to a professional-sounding song.
After rhythm editing, pitch editing (or vocal editing) finishes off your editing process.
Many people shy away from pitch editing because of the unwanted side effects of tuning. You don’t want to sound like T-Pain in most styles of music. I get it. That’s more than fair.
But there are many ways to tune a vocal and edit pitch while keeping it sounding completely natural.
With the vocal being the most important element of a song to the average listener, taking the time to carefully edit a vocal can take your songs to the next level!
Why Should I Edit My Tracks?
Hop in a time machine with me for a second, and travel back to a time before you were producing music…
Before you were in the futile search for the perfect mix.
Before you were banging your head against your desk at 2 AM, rattling the 6 empty coffee mugs as you export “Song Title_FINAL Mix_13_bass up.2_tweak.wav.”
Back in this blissful time, what was it that made you love a song? What stood out to you that made you love it so much? What made this song sound “awesome?” The two most simple and most frequent comments I hear (and think myself) are:
- Man, this band sounds TIGHT!
- Wow, this singer sounds GREAT!
THIS is how consumers listen to music. 99% of the world’s population don’t listen to a song focusing on the mix. 99% don’t turn on the radio and think, “Man, this song could have been great if they had just turned that snare down 1dB and parallel compressed the drums and side chained yada yada yada…”
Taking the time to edit your song before you start mixing will get you much closer to that “pro sound” you are after. It will also most likely make the mixing itself fall into place easier!
Now before we go on, there’s a few important points to be made…
- No, editing is not a substitute for true talent, and you can’t make just anyone sound like *insert your favorite singer/band here.*
- No, editing can’t fix a bad melody or arrangement. That’s up to the artist.
- No, editing doesn’t make mixing irrelevant. I’d argue that it actually makes mixing easier.
Unfortunately, no musician is perfect (as we have all learned by now). While all music should still have that human aspect of variance, consumers are used to hearing songs sound as close to perfection as possible.
As I mentioned earlier, many mixes you may hear on Spotify or iTunes might just sound “okay” or “pretty good.” Consumers are becoming used to hearing lower quality mixes, but they focus on the song’s lyrics and feeling more anyways.
While 99% of listeners don’t notice specific mix decisions, 99% CAN tell if the band isn’t playing together.
This is even more true with the vocals. The average listener won’t be able to tell what type of compression you used on the vocal. But they WILL be able to tell if the singer is singing off-pitch, and will most likely hit skip.
To purposefully beat my point into the ground: the average listener can’t distinguish a decent mix from a great mix. BUT – they can distinguish an amateur band and mediocre singer from a solid band and great singer.
While editing cannot magically replace a bad band & singer with good ones, they can make them sound much more professional and “on-par” with other records on the radio!
What Are the Steps of a Good Edit?
Unsure of what all has to be done to finish editing your song? Check out this handy checklist we made:
Conclusion: The Importance of Editing
Now that you know how important editing is, let me teach you how to do it.
Check out our next article in this 3-part series, How to Tighten Up Your Timing.
Or skip ahead to Part 3, How to Tune Your Vocals.
If you want to dig deeper into music production and learn what it actually takes to make mixes that sound pro…
And you’re an intermediate or advanced producer…
Be sure to check out the free masterclass:
Jared Conrad is a tracking and mixing engineer based out of Nashville, Tennessee. He has spent many years working at studios across the country, including Catch This Music on Nashville’s famed Music Row, along with freelancing out of his home studio.